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In the A​.​M. Wilds

by The High Dials

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  • Compact Disc (CD) + Digital Album

    Original digipack CD release - very limited number

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  • Full Digital Discography

    Get all 10 The High Dials releases available on Bandcamp and save 40%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Primitive Feelings - Part II, Primitive Feelings - Part I, Foreverish, In the A.M. Wilds, Desert Tribe EP, Yestergraves EP, Anthems For Doomed Youth, Moon Country, and 2 more. , and , .

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Desert Tribe 02:41
Yestergraves 04:11
D.U.I. 01:48
Afterparty 03:41
Evil Twin 03:40
Club Stairs 02:46


The High Dials confounded expectations with their fifth LP, in the words of Shindig! boldly "ripping their technicolour facsimile to shreds and reassembling the pieces in an abstract collage of blues and greys." Inspired by urban nightlife as a kind of surreal wilderness, the High Dials and co-producer Marc Bell strip back the layers and turn up the groove - with shoegaze textures and electro flourishes added to a pulsing backbeat. With trademark jangling guitars, harmonies and melodic sensibilities intact, the High Dials write another chapter in their unique evolution.

“Echoing drums, thudding yet melodic bass and the occasional guitar jangle… occasionally they revert to 60’s beat type, carrying off both styles with aplomb” Q Magazine (UK)


released February 3, 2015

Produced by Marc Bell and Trevor Anderson
Engineered and mixed by Marc Bell
Additional engineering by Trevor Anderson
Recorded at Troublemakers Studio, Montreal
Additional recording in various locations in Montreal and Medellin, Colombia
All songs by Trevor Anderson (SOCAN/ASCAP), except “The Barroom Fisher King”, “D.U.I.” and “Blank Spaces On The Map” by Trevor Anderson/Robbie MacArthur


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The High Dials Montréal, Québec

The High Dials returned in 2018 with a new line-up and the “Foreverish EP”.

After a UK tour in 2019, they unveiled a new LP in two parts. “Primitive Feelings, Parts I & II” is a predatory summer mix of lo-fi 90s grooves, acid rock guitars and razor-sharp humour.

In a 4-star review, Shindig Magazine praised its “heady, intoxicating set of tunes which reveal hidden depths with each listen”.
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